aldersprig: (Aldersprig Leaves Raining)

So @Shutsumon started doing Worldbuilding Wednesday on Mastodon and that got me thinking and so then I started and…

well, here’s last week’s post. I’m going to try to post them a week after I toot (post on Mastodon) them.


Strands in Weird Places

In theory, Stranded World is composed of “Strands” which make up the connections of every thing and being to every other thing and being; certain people can see, manipulate, or read the Strands but they come into existence and eventually fade away on their own in a constant cycle of renewal. 

In practice, the Strands that strand-workers read/manipulate are like you took a page full of the very lightest pencil lines going everywhere and then added just a few bright marker lines: strong connections between people or between a person and an animal/plant/thing.  

For instance: I have a very strong connection with my husband, a rather strong connection with my cats, and rather strong connections with my grandparent’s house/farm. Compared to my connection to the guy sitting across from me on the bus, the cat I saw at the winery the other week, the apartment we lived in for a couple months when I was 20, those connections are going to be thick and easy to pick out. 

Sometimes, you end up with “Weird” connections:

People who met for three minutes at a bus stop who form a Strand so thick it pulls them back together, so that they reinforce that strand, so that it pulls them together again. 

A place that takes on so much of its own character that it holds on to connections; not only do people remember it for a long time, but it remembers them, and so the strands are no longer dependent on living memory. 

A moment in time will, on very rare occasion, create connections, which form a line between all of the people experiencing that moment and anchor people to that moment.  In some cases, it makes time warp strangely around it, such that even thinking about it for too long can create wrinkles much later on. 

Sometimes you end up with places, or animals, or plants that somehow not just form strands — since everyone and everything can do that to some degree — but manipulate them. 

There’s a tree in the middle of a forest that likes to loosen some bonds and form others, and you never know until you climb up into its branches which might happen. 

There’s a cat who wanders the suburban evenings tangling strands up, leaving a wake of small chaos behind her and caring about as much as she’d care about a ball of yarn. 

And there are events which are so tangled up from their very creation that just moving towards them — Burning Man, but only sometimes, for instance; certain marches on certain places; certain prayer circles and certain parties — changes the person moving, for better or for worse. 

The Great NanoWrimo Prompt Call

Mirrored from Alder's Grove Fiction.

aldersprig: (Aldersprig Leaves Raining)
Originally posted on Patreon.

Autumn spends a lot of time in really small towns.  I mean, some of that is just that’s what she seems to like, but you’d think she’d spend more time in big cities that have big craft festivals, wouldn’t you?  I mean, she’s trying to make enough of a living to pay for the occasional inn or motel or Bed N’ Breakfast room, and those aren’t cheap.I like small towns.

I grew up between three small towns, out in the middle of farmland (literally: My parents built their house on land my grandfather and his father before him had farmed, on a road my grandfather literally built as a high school summer job).  I grew up with a small-town library where the librarian knew me and I knew her, in the sort of place where a party really is a bonfire in someone’s backyard because, really, where else are you going to  go?  My parents grew up in small towns.  Pretty sure at least two of my grandparents did, too.  We’re small town people, rural people.

I have to admit, some stereotypes of small-town living (Everyone knows everyone, for instance) I never really understood.  I mean, I knew my neighbors, but in farmland, that isn’t all that many people.  And small towns these days often have housing tracts tacked onto the sides of them, apartment complexes, trailer parks.  So they’re not that image of small-town living that seems to permeate the media (And, to look at another setting for a moment, Regine’s vision of a small town with The Village outside of Addergoole)  The houses go back layer after layer from Main Street.  You go over the canal (in many cases) or the railroad tracks and you’re almost in another neighborhood.  But you’ll still run into people you know at the grocery store, at the Fireman’s Carnival (I haven’t written a story about anyone at a carnival yet, have I?), at the Canal Days Craft Festival (Where Autumn really ought to have a booth…)

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Mirrored from Alder's Grove Fiction.

aldersprig: (Theocracy)

A long, long time ago
I can still remember how

Maggie’s Ell Jay made me think
And I knew if I had my chance
That I could make words sing and dance
And maybe make them think, too, for a while
.♪♫♪

Ahem. 

A long time ago, M.C.A. Hogarth posted something in her LJ about tropes she’d like to see.  One of them – which I have tried more than once to write – was about the young male (it might have been a mage?) recruiting the older female (fighter?  Maggie, do you remember?)

Anyway, I was looking through my archives and I found this first chapter, or so, of Fiametta, a Strand-Worker living up on the top of a mountain. 

7/5/2011 is the last save listed on it. 

⛰️

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Mirrored from Alder's Grove Fiction.

aldersprig: (Theocracy)
Everyone gets their inspiration from somewhere; every setting has its seeds in something.Stranded – well, Autumn – came out of the book Blue Highways.

According to Wikipedia, this book came out in 1982.  I don’t think I read it that early at all – I would’ve been six – but someone recommended it to my father, and I read it.  I was probably in my early teens.

The story, as I remember it, involves someone making their van into something like an ad-hoc RV and driving around the county – specifically on the back roads, the non-highways, the ones marked blue on old maps.

The idea really spoke to me, lodged in my mind.  Sometimes I would fantasize  – who am I kidding, would? – Sometimes I fantasize about loading up a van and doing travel writing, meeting people in small-town diners and taking pictures of little waterfalls you can only see if you take the back roads.

Autumn started out that, that and my wish to be able to draw and the small fantasy of living in a Ren Faire that I sometimes still indulge in.  I mean, Autumn as a character in a story started with a three-word-Wednesday prompt (abrupt, kernel, wield; I have no idea how I got from there to

“I heard you did divinations.”

“You want the blue tents over in Psychic Alley.”

“Not that sort of divination, not those fake-Rom shams. You do the skin-painting.”

But Autumn, travelling around to small towns and solving problems –

– she came from William Least Heat-Moon’s stories, traveling around the blue highways of America, meeting people, being harassed by the police, building stone walls.

I can’t promise it’s a good book.  I read it probably 2/3 of my life ago. But it definitely stuck with me, and in sticking with me, it gave us the core of Autumn and her travelling, mystery-solving ways.

But here’s a fun map of where he travels – I didn’t realize it was so large an area – http://littourati.squarespace.com/storage/moon-files/moon_map.htm

And here’s the Wikipedia page on it – https://en.wikipedia.org/wiki/Blue_Highways

This paragraph:

Stories that arose from Least Heat-Moon’s research as well as historical facts are included about each area visited, as well as conversations with characters such as a Seventh-day Adventist evangelist hitchhiker, a teenage runaway, a boat builder, a monk, an Appalachian log cabin restorer, a rural Nevada prostitute, fishermen, a HopiNative American medical student, owners of western saloons and remote country stores, a maple syrup farmer, and Chesapeake Bay island dwellers.

That almost sounds like a set of prompts for Autumn, doesn’t it?

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Mirrored from Alder's Grove Fiction.

aldersprig: an egyptian sandcat looking out of a terra-cotta pipe (Default)
Okay, I guess the theme is really talking to me this month. 

Here’s another bonus, spurred on but not really related to a line from a Popular Mechanics article I read last night: (paraphrase) “AI is going to make the Industrial Revolution look small.”

🤖

Autumn knew better than to grab the strands of the world too much around HAllowe’en.

Everything was thinner at that time, more responsive, more willing to bend and twist and open.

But the Strand looked so tempting.  It was this line of connection, this connection that went — nowhere?  It trailed off into a space in mid-air, looking as if it turned into wires at the end.

So she followed it, drawing the look of the wires on to her arm in watercolor, little circuit-board designs that appeared to  her mind’s’ eye.

She stepped through a thin space in the air and found herself on a silvery road, the buildings rising up around her on left and right, stretching above her, making it a tunnel of mirrors and glass.

Oops.  She tied off a marker so she could find her way home and followed the wires of the Strand, trailing along through wires upon wires upon wires.

She turned a corner into another tunnel and found herself face to face with someone doing the same thing as she was.

Someone?  Not quite.  But not quite something, either, a metallic-and-plastic figure wearing a knit hat of red-orange-and-green and a swirling dress that matched.

The Strand from Autumn went straight to this figure.  She stopped.  She stared.  The figure stopped and stared.

There were a few other people on the road — mostly human-seeming, some only humanoid-seeming.  From the corner of her eye, Autumn could see all of them connected by tenuous strands.

“You are—”  The figure frowned.  The expression was cartoony, plastic eyebrows moving and lips turning downward.

“You’re…”  Autumn shook her head and bowed.  “I’m Autumn Roundtree.”

“I am ATMN-1985.  I am called Autumn.”  The figure raised an eyebrow at AUtumn.   “You do not belong here.  Your only connection here is me.”

Autumn took a moment to study ATMN.  “You’re —”

She was connected all over the place, as much as Autumn was, back home, as much as her mother was.

“An autonomous Intelligence designed to understand connections between beings.”  The smile was broad and surprisingly genuine-seeming.  “Your counterpart.”

“Amazing.”

Autumn felt a tug on her, and ATMN made a noise of concern.

“Your connection is thinning.  You cannot stay, you need to go where you came from.  Or—”

“Or,” Autumn agrees solemnly.  “It was nice to meet you, ATMN.  Perhaps I will see you again.”

ATMN curtseyed.  “I would like that.  I would like this new connection to last.”

Autumn hurried back as her connection to her own world tugged and throbbed by turns.  She followed the thinning line back to where she’d started and pushed through the thin space in the world.  Her ears popped, her head rushed, and, for a moment, she lost consciousness.

She came to leaning against the old maple tree in her mother’s back yard, leaves crunching as they fell down upon her.

Nothing but a pack of cards,” she muttered.  She knew better than to reach for Strands around Hallowe’en.  It always left you with too many questions.

Want more?

Mirrored from Alder's Grove Fiction.

aldersprig: an egyptian sandcat looking out of a terra-cotta pipe (Sandcat)

“So,” Winter explained to his younger sisters, “the world is like a giant spaghetti squash.” He jammed his fork into their dinner. “Everything looks solid, right? But,” he twisted the fork, “if you grab things just the right way, you can see how it’s all made of long strands. Except in the case of the world, the strands are magic.”

His three younger sisters, used to taking Big Brother as the authority on everything, were still dubious.

The siblings Winter, Autumn, Summer, and Spring each manipulate and read the strands of the world in their own way, while attempting to live within the world as normally as possible. The Stranded World is contemporary fantasy, slice-of-life with a magical overtone, following the threads of their lives.

These stories are primarily one-shot pieces bouncing around the lives of the four siblings.


Good stories to Start With

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Mirrored from Alder's Grove Fiction.

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